In this series, I refer to moments on the verge of change in which singular moments—such as those captured by a photograph—embody a larger span of time and meaning. My process of composing works and layering paint while retaining the history calls attention to the divergent paths painting and photography have taken in the past century and allows the viewer to access the process. By visualizing the formation of the piece and providing one’s own meaning, the viewer’s engagement is an essential part of each painting and their interaction brings the work to completion.