Aqua reflects an ongoing engagement with the Pacific Ocean—its shifting light, forceful waves, and the figures along its edge. Having lived in Europe for over a decade, time away from the ocean has shaped its presence as a kind of homecoming, alongside encounters with rivers and lakes where water moves in quieter, more measured ways. Movement, light, color, and the passage of time remain central throughout.
Surfers explores the figure at the threshold between control and surrender. Suspended within shifting fields of color and atmosphere, the surfer becomes both subject and structure—at times emerging, at times dissolving into the surrounding space. Rather than depicting a specific moment, the works focus on perception itself: the instability of form, the tension between presence and disappearance, and the fleeting clarity found within motion.
Aqua reflects an ongoing engagement with the Pacific Ocean—its shifting light, forceful waves, and the figures along its edge. Having lived in Europe for over a decade, time away from the ocean has shaped its presence as a kind of homecoming, alongside encounters with rivers and lakes where water moves in quieter, more measured ways. Movement, light, color, and the passage of time remain central throughout.
Surfers explores the figure at the threshold between control and surrender. Suspended within shifting fields of color and atmosphere, the surfer becomes both subject and structure—at times emerging, at times dissolving into the surrounding space. Rather than depicting a specific moment, the works focus on perception itself: the instability of form, the tension between presence and disappearance, and the fleeting clarity found within motion.
Aqua reflects an ongoing engagement with the Pacific Ocean—its shifting light, forceful waves, and the figures along its edge. Having lived in Europe for over a decade, time away from the ocean has shaped its presence as a kind of homecoming, alongside encounters with rivers and lakes where water moves in quieter, more measured ways. Movement, light, color, and the passage of time remain central throughout.
Surfers explores the figure at the threshold between control and surrender. Suspended within shifting fields of color and atmosphere, the surfer becomes both subject and structure—at times emerging, at times dissolving into the surrounding space. Rather than depicting a specific moment, the works focus on perception itself: the instability of form, the tension between presence and disappearance, and the fleeting clarity found within motion.
Waves focuses on the ocean as a shifting field of structure and light. Without the presence of the figure, attention turns to the movement of the surface itself—its rhythms, breaks, and constant reformation. Forms emerge and dissolve within layered passages of paint, resisting fixed definition. The works move between representation and abstraction, capturing the instability of perception and the fleeting nature of what is seen.
Ocean’s Edge explores the meeting point between land, water, and atmosphere. These earlier works focus on the threshold where forms shift and boundaries blur, capturing the constant exchange between solid and fluid space. The series emphasizes perception over depiction—where color, light, and surface dissolve fixed edges and allow the image to hover between clarity and abstraction. Here, the coastline becomes a site of transition, where structure gives way to movement and stability is continually redefined.